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Gregory Seaton's avatar

I can picture you and Orrin trying to figure out that sneaky letter at camp… rather brilliant. Also, “Pompeii is a great place to visit, but I wouldn’t want to live there” gave me a chuckle this morning. I’m seeing it as a title for….. something?!

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Jean Cherouny's avatar

Agree with all about how well it all reads. I am obsessed with Mary Gabriel’s Ninth Street Women but this could be the next one to illustrate the love of a child’s perspective after their parent artists are gone. I love reading these!

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Eliza Anderson's avatar

Thank you! I think I need to clarify somewhere that my posts aren’t actually book chapters. I have a separate manuscript that I’m seeking to publish. My writing here is a continuation of my “excavation”. Of course, it’s possible some of this could get incorporated in my memoir…

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Susan Walp's avatar

Just wonderful, Eliza.

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Kate Prendergast's avatar

I love this - the connection of pleasure as an intervention/ ideal in the art work of woman is a rich and deep connection- always timely. ❤️

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Julia Curry's avatar

What a lovely and multi-layered reflection.

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Amy  Goldman's avatar

What a labor of love! For Mimi, for yourself - putting these pieces together.

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Lucy Tunstall's avatar

Such an interesting story and that fresco on the postcard! It’s sent me off in search of information on The House of Mysteries and The Terrified Woman.

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Eliza Anderson's avatar

Me too!😊

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Marjorie Hamrell's avatar

Loved this chapter, as always you write so well, but equally so because I went to Pompeii and was totally fascinated!

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